Notes on the Cinematography: Our aim was to create a sense of timelessness in the different routes by modifying the colour until the image achieved tones that resembled a photographic emulsion. The saturated tones habitual in video formats were lost, so the image seemed to belong to an unidentifiable era. Bringing the tonality of video to those of photographic emulsion implies configuring the camera to match their intrinsic deviations, making it strictly necessary to colour grade the footage in order to achieve the desired effect. In general, the original footage has a slight magenta dominance. On the other hand, we used the gamma F curve modifying the Black Gamma and the Knee, achieving a high degree of detail in high lights and shadows ( around 7 F-stops for the 790 and more than 9 for the F900 with a relative ASA of 400 for the first one and 250 for the second one). In this case the image needs colour grading the gamma for adequate viewing, since the original image is very soft. We have also modified the Detail Level and the crispening. This photographic treatment has been reinforced by framing that strives to achieve an inconspicuous feel for the camera's presence.